For the purposes of this article let us assume that the box is strategy,
which makes "thinking outside the box" the most misdirected object of
admiration in the marketing profession.
The truth is, anyone can think outside the box. You can make noise
there, but it's irrelevant. To be fair, the most unimaginative manager can
easily stay in the middle of the box. It may be relevant, but it's awfully
quiet in there. The real challenge is to punch the hell out of the edges of
that box; from the inside, because that's the only way to change the shape of
that box and make it larger.
However in many situations you have the wrong box and have to build a
new one, but most of the time you're trying to evolve the shape and size of
your box. Make your box stronger, more useful and more attractive than the
boxes owned by your competition. You spent a lot of time building that box, so
why abandon it now? Spend too much time outside the box and everyone gets
confused, within your company and among your audience. In the end, while going
outside the box is almost always presented as brilliant rebellion, it is; of
not done correctly, the easier road to take and a recipe for failure.
It goes without saying that executing from the center of the box can be
just as harmful. The center is obvious. The center is boring and expected. More
important, playing around in the center of the box doesn't make any noise and no
one will be aware of our business.
Moving from strategy to execution, it's always interesting to review
creative work inside a communications agency. You sit there with the creative
strategy in hand (the box) and, too often, see brilliant, creative ideas that
are completely disconnected from that strategy. When these ideas make it on air
we're left scratching our heads. You also see ideas that you could have written
yourself (i.e., on strategy but nonetheless lame). When they make it on air you
simply don't notice.
In my opinion, creative ideas are easy to come by and linear strategic
ideas are the all-too-common, safe fallback. Meanwhile, ideas that deliver the
strategy in a highly creative, intriguing way are few and far between, and are
more valuable because of their rarity. Again, your task is to create innovative and
fresh ways to punch the edges of that box from the inside out. Hit those edges
hard. This is the only way to make that box bigger, the only way to actually
change its shape. After all, who says it needs to be a box in the first place?
Take Nike and ESPN, for instance, two powerful and highly differentiated
brands in related markets. As defined by results, their architects were
geniuses. Over time they have moved from strength to strength, and many layers
of business and meaning have been added to the original brand and business
definitions. In other words, although they never left their boxes, they have
continued to push their own boundaries, dramatically changing the size and
shape of those boxes.
In general, the boxes for these two companies are well understood. You
might argue (and I certainly would) that their future successes will be
determined by execution rather than big positioning considerations. Because
they are already so successful, neither faces competitors that can beat them
head-to-head, but both face smaller attacks from a multitude of more tightly
focused niche competitors. In addition, these two boxes are particularly well
maintained and remain flexible as the two companies continue to live with the
questions that surround them as they move forward. Both are also served by an
agency that simply understands their boxes and how to make lots of noise at the
edges. In fact, the agency for both companies is Wieden-Kennedy.
That leads me to another point: there are noisy boxes and quiet boxes.
In other words, there are noisy strategies and quiet strategies.
Noisy strategies grow out of positioning that is inherently provocative.
Positioning that contains a point of view, an attitude, and an edge. You could
write a provocative white paper based on a noisy strategy. Think of the Dove
"Real Beauty" strategy, built by the Dove brand team working with
Sterling Brands, then brilliantly executed by Ogilvy & Mather. In a
marketplace filled with thin, beautiful models, Dove dared to use real women to
talk to real women. They told us that real beauty comes from within. At about
the same time, and also within Unilever, a very different group of rebels was
creating a very, very loud strategy for Axe.
On the other hand, quiet strategies don't make you think. They don't
provoke. They don't inspire. And therefore, they don't get noticed. Quiet
strategies place the entire onus on execution.
The volume of a strategy isn't about how loud the stimulus is, it's
about how loud the marketplace responds to your marketing strategy. Sometimes
the noisiest strategy is to be quiet. You gain attention precisely because
everyone else is yelling so loudly. When you are confident that you have
something really important to say, you might actually get more attention by
whispering. In a beer market filled with action and noise, Corona slowed
everything down and quietly took us to the beach.
Many marketers don't seem to want to be strategically loud. They don't
want to become famous, and I'm not sure why. They may lack the ability to pull
back and objectively assess the "volume" of their strategy. Maybe
"loud" just isn't the way to go within their company. Perhaps their
reticence stems from the fact that the creation of a noisy strategic box is a
very real intellectual and creative challenge.
Part of the trick is
being ruthlessly honest with yourself. The other is truly understanding how
hard it is to get noticed by busy, usually uninterested people. Is the basic
idea around which the strategy is built compelling? Does it have creative
energy? It's only a great strategy if it makes for great tactics, so test the
strategy by developing a set of tactical applications. Was it easy? Was it a
fun exercise? Were lots of options created by the team? If the answers are yes,
yes and yes, you might just be ready to make some noise. If it was a real
struggle to create those noisy tactical applications, consider going back to
your box and turning up the volume.
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